The Centre for Broadcasting History Research at Bournemouth University established Charles Parker Day to celebrate not only Charles Parker and his work, but the radio feature itself, its past, present and future. The first Charles Parker Day was held in 2004 in Bournemouth (his birthplace) on his birthday, 5 April, and included the launch of the first Charles Parker prize.
Booking for the Charles Parker Day 2017 has now opened – click here to book your tickets. This year it’s in Sheffield, where we’ll be celebrating 50 years of Local Radio with the first manager of BBC Radio Sheffield (the second station to come on air), Michael Barton, who went on to become Controller of BBC Local Radio. We’ll be talking about features and documentaries in the early days; examining the Asian Radio scene in the UK and looking at features made about the city of Sheffield.
We hope to see you in Sheffield on Friday 7th April! Look out for further announcements on this website and on our twitter feed @CPATrust
The 2016 Charles Parker Day explored different ways of telling stories in sound, from turning stories into song, songs into stories; from listening to stories from our local community to hearing stories from around the world in languages we don’t understand; stories from the creative minds of writers to stories from the listeners themselves. Here’s an account of the Day’s events, and a link to photos taken by Mike Hale on the day.
See below for information about earlier Parker days:
The twelfth Charles Parker Day was held on Friday 27 March 2015 in the centenary year of Ewan MacColl’s birth at Glasgow’s Centre for Contemporary Arts. Here is an account of the Day’s events.
The eleventh Charles Parker Day took place on Friday 4 April 2014 in the Studio Theatre at the new Library of Birmingham, with a concert the same evening at the CBSO Centre. Here is a brief report of the Day, an account of the concert, and some photographs of the event.
The tenth Parker Day was held on 22 March 2013 at Salford University, Salford Quays. As it was the 50th anniversary of both On The Edge (about teenagers) and The Fight Game (about boxing) the event celebrated young people and sport on radio. See report
The ninth Parker Day was held on 30 March 2012 at the University of Westminster and celebrated the 50th anniversary of The Body Blow – see full report by Andy Cartwright
The eighth Charles Parker Day celebrated the 50th anniversary of The Big Hewer, the Radio Ballad about the mining industry, and was held in Newcastle-upon-Tyne – a city partly built on the profits of coal. The conference was organised by Andy Cartwright of Soundscape Productions and a Senior Lecturer in radio at the University of Sunderland. Click here for a full report and here for an audio report from the Radio Academy.
The seventh Charles Parker Day was hosted by the University of Sunderland and organised by Andy Cartwright at the National Glass Centre. See full report from Sean Street.
The sixth Parker Day was held on 3 April 2009 at the National Media Museum, Bradford – see full report from Sean Street.
The fifth Parker Day was held on 4 April 2008 at the Miramar Hotel in Bournemouth, organised by the Centre for Broadcasting History Research. It celebrated the fiftieth anniversary – in July 2008 – of the first Radio Ballad – The Ballad of John Axon. Speakers included Sian Roberts, Ken Hall, Andrew Johnston, Alan Hall, Andy Cartwright, Piers Plowright and Sean Street. Click here for a full report of the conference, with audio clips of all contributions.
The fourth Parker Day was held on 30 March 2007 at the University of Central England. Speakers included Ben Harker (the official biographer of Ewan MacColl), folk culture archivist Doc Rowe and documentary specialist Prof Bert Hogenkamp. See full programme.
The third Parker Day was held in Bournemouth on 7 April 2006. Speakers included both academics and practitioners. Gillian Reynolds opened proceedings with an over-view of the Charles Parker Archive Trust and its work, followed by Sian Roberts, who gave an exciting presentation about the development of the Connecting Histories project. BBC producer Kate MCall talked about Norman Corwin, the veteran American producer, whose programme, The Lonesome Train had influenced Parker in terms of style, and Graeme Miles brought the spirit of Charles himself to life in a moving and amusing talk in which he painted a vivid picture of working on some of the programmes which followed The Radio Ballads. Ken Hall, from the University of Teeside provided valuable discussion relating to Parker’s work beyond the Radio Ballads, while Seán Street discussed vernacular radio and community, with special reference to CBC Radio’s Newfoundland-based Fisheries Broadcast.
A central part of the afternoon – and a highlight of the day – was a two-handed presentation by Sara Parker and John Tams, in which they talked through the making of the six new Radio Ballads, recently broadcast on Radio 2. The sense of reflection by practitioners on a process on which – in John Tams’ words “the ink was barely dry”, made for fascinating insights. Andy Cartwright of Soundscape Productions took delegates through the process of his innovative radio feature, Then – Now, broadcast in January; this carried the spirit of Charles Parker’s “gathering” into a new age – the recording of a single agreed minute by more than 100 recordists all over Britain, to create a sound poem made up of a murmur of voices – “people greeting people who they’ll never, ever know.”
The second Parker Day was celebrated in Birmingham, where much of his work was carried out, in conjunction with the University of Central England Department of Media and Communication and as part of Banner Theatre’s 30th anniversary celebrations from 8-9 April. See programme for the joint Parker/Banner event
The first Charles Parker Day was organised by Bournemouth University’s Centre for Broadcasting History Research. The conference was held in Bournemouth (Parker’s birthplace) on his birthday, 5 April, and included the launch of the first Charles Parker prize.